with this first ep, s.o.n.s pays homage to the early age of electronic dance music, when techno, house and trance were friendly to each other, when tracks were full of deepness and harmonics, when drums were crazy and raw, when techno was soulful. yeah, this is all about this ep, some soulful deep techno excursions. while the a1 is an after-hours emotional weapon freely inspired by an obscure m. goddard production some will recognize, the a2 is a more straight forward electro track with dark vocals and rising chords, as they made it in detroit back in the days. on the other side of the record is a techno journey through a rainforest with pan flute, deep chords and old school bassline. plus there is a little bonus locked groove: a mere 4/4 tr909 bass drum s.o.n.s personally uses in their crazy obscure techno mixes. turquoise vinyl + foil sticker on cover, limited to 200 copies. mastered by matt colton (l.i.e.s, apron…)

limited repress 2015 !!
the debut release on office recordings is the first part of a series produced by label founder baaz. in my mind is a subtle, shiny piece of jazzyfied house music with a steady rolling groove and dirty kickdrum. glim bangs the box with deep dubs and a sexy vigorous groove. the flip starts with two mind bending downbeat cuts with a stumbling beat. last but not least a slowburning remix of way out citti by matthias reiling (sessionn victim, giegling recordings) and björn astrup who did a brilliant job twisting the original into a soulful homage to the slow side of house music.

roadside edits are back, their first 12inch was a very limited pressing, and it sold out faster than moonshine back in the prohibition days, so they have repressed it, and for good measure they have added their foot stomping edit moonshine on the a side, its a liquid disco funk hoe down thigh slapping drunken stomp, funky and slide guitars, the odd brass stab here and there, throw in a bit of organ with some chunky pianos, add some guy laughing and we are good to go. b1 gets going with a funky disco cosmic groover with some wicked wah wah guitar, strings, effects, cool synths and tight drums, all bound to get them moving on the dance floor. b2 groove is so infectious with some sweet harmonica solos, tight bass and soaring strings that lifts this track and the crowd to cloud

today gregor returns home with two slamming new tracks, both of which are the result of hours of tweaking and testing whilst on the road this summer. midas is built around a stripped back single-riff groove. minimal elements and maximum effect show that gregor still has that midas touch. on the flip and easily living up to its name is disturber. its snarling synth takes centre stage, intimidating and unsettling. but as the kick drum thumps and the intensity builds, disturber suddenly returns to the dark shadows.

few if any producers have managed to make the transition between hip-hop and house as successfully as vincent williams, a.k.a. dj spinna. but until now his hip-hop career has been better documented. here, for the first time, is a collection of the cream of spinna’s house remixes, a collection likely to win a place in the homes of anyone who loves their house music with a deep and soulful twist.

brand new day by missing soul will surely get you moving with his house meets jazz flavor, a great tune to take the dance floor to the next level. b-side, la soleil eternel keeps the groove in tact with its pat matheny vibe and build up. out on ron trents own future vision label.

following the success of its first release by the ever elusive jason grove, the vinyl-only sub-label skylax extra series returns with a little something beyond special. for those house-heads in the know, the man needs no introduction, but for those uninitiated, sit back and prepare for this double 12” selection to further your education in house music.joey kay hails from chicago in the us and has influenced a great many producers in the last two decades with his signature take on the deep house sound. he keeps things simple in the best possible sense of the word, stripping back tracks to their bare essentials in order to maintain what the spirit of house music is all about: the groove, the soul and the feeling of being carefree, even if only experienced for a few minutes at a time. there are no superfluous or ancillary sounds in joey’s music and this is all the more evident when taking a step back and listening to his spectrum of output in this collection, which spans more than twenty years of his career.

the third issue of raw waxes’ release number four is on the way. after featuring mike parker, haiku, inigo kennedy and korova as remixers of the noisemaker, this time we see abstract division and blind observatory reinterpreting ‘shuttle’, the final track of the series. shuttle starts with a fat kick and a psychedelic synth, bleep and acid elements go back and forth, up and down, appearing from the gloom of the artist’ soul. hi-­&#8208,,,hats, acid and bleep evolve together, embracing acidity and generating a naughty groove. abstract division’s reinterpretation is clearly a 4/4 dance floor oriented. based on the evolution of the acid patterns as a minded loop, the dutch duo adds 909 hi-­&#8208,,,hats and claps, modify the the kick-­&#8208,,, bass structure, reaching a trusted track for exciting moments into clubs. blind observatory’s remix is the gentle side of the record. starting slowly and lightly, the artist sets a mellow synth plus clean hi-­&#8208,,,hats, turning the production into a sweet idm caress. a personal, delicate cut appraising the entire release.

a second release on d3 elements for raymond raydilla funnye aka strong souls, the man who kicked off the detroit & chicago focused label last year.

assiduous presents their first vinyl release which is full of deep richness and undiluted soul. side a contains heavy bass, synth stabs and a driving four to the floor beat that keeps the groove while a female vocal emerges later adding a bit of mysticism to the vibe on, meat and potatoes. side b brings to mind the sound of hard work in motion which is what the outfit, assiduous is noted for. an aggressive deep house attribute that is also laced with a soulful female vocal that seems to stir up a spiritual overtone into the mix on, no mo

vinyl only
london based producers ethyl & flori continue their recent rebirth with a classy ep on sudden drop, *white lotus rebellion* kicks things off with a simmering house groove, *sidestep* takes things in an altogether different direction, harnessing the energy of the baser side of uk nightlife whilst *shorthand* rides a more traditional techno route with its bigger room vibe.

we are very proud to present a doubtingthomas vinyl release on metroline limited! capharnauem is a very trippy affair across 3 tracks, 2 originals from aurelien and a remix from the uber talented romanian producer from arpiar fame, cristi cons. off the grid, the opener, stays within the grid until 3/4 of its lenght. a tight kick leads the way with the help of a pulsating bass and some lush pads in typical doubtingthomas style. the off moment happens after the mid way point when the free jazz element comes in and shuffles the groove off the grid!

russian label gost zvuk (roughly translates as state standards for sound) releases its well anticipated third record which is a courtesy of oleg buyanov - moscow s underground scene veteran also known as ol. inspired by some late soviet documentaries exploring russias nature and science, this musical adventure reflects olegs very unique take on nostalgic post-soviet neo-romanticism. driven by raw and jazzy house groove, this record showcases the work from one of the high-profile russian producers of our time. supported by the likes of huerco s, anthony naples and madteo. limited hand-stamped white 12inch

pablo and shoey return just in time for festival season with 4 new bits for the front of your box. e-man groove is a massive disco-rock jam that could have been sprung from the minds of dem idjut boys, with sympathy for the devil style percussion and wild guitar riffing driving the whole thing. blazing sunshine, meanwhile, is a funky, hammond organ led version of let the sunshine in, a guaranteed hands in the air moment when dropped at the right time. disco treat is more of a modern floor-burner, closer to straight production edit with a bouncing bassline and all manner of whacked out disco sounds in the mix, not to mention breakdowns for days. rounding off the package is some classic funky soul breaks - the lads tear a chunk off bettye lavettes soul tambourine to make play it, break it on down! as sampled on stezos golden era hip hop rocker to the max.

its time for phonogramme to explore different styles and releasing one of its most successful project ! from france, kris tidjan composes music layers in the high sphere of soul jazz. playing most instruments by himself and singing, he also presents music live with musicians. on his first ep floating therapy he comes with feel the love & mystic bantu trip, african music accents & a strong rare groove touch, mastercut oriented under the supervision of professor inc. a1 featuring fela kuti s accent with an additional sax played by christian rodenberg while a2 reaches a 11:11 timing with peacefulness and aerial feeling.on the other side we go deeper into the artist s influences, ethnic vocals melted with tidjans * son of the sun* beautiful refrain & meimouna coffi at vocal chorus, some soul jazz broken beat like we rarely hear today, very strong and contributing to the genre greatly, * shining from the deep space*. for the b2 professor inc brings you a remix of feel the love in two part with a soulful vibe and deep house touch in the spirit of what he has already done for the label before.

eddie c s ever reliable red motorbike is on the move again another 12- edition this time around as fake glasses & noodleman take a side each of caribbean sunshine to warm us all up dancehall succinctly describes what s on offer on the a side, a seriously heavy dubwise number for the swayers and one-foot skankers in the dance on the flip noodleman follows his acid tinged killer from the last 12- with another 303 laced gem acid ting is pure roots vibes with a bubbling acid line riding the groove rev em up - next stop kingston town

mulen marks the arrival of its second vinyl with the release aloft from tish. this kiev-based lady is definitely seen as a key player in the ukrainian underground. the original mix of aloft is stripped-down vogue techno with a funky baseline and tick-tock percussion. the track is flashing out the skippy, atmospheric style one might call mulen s signature sound. under number two we have samples of silence where tish explores possibilities of rhythm and space. the track progresses through a clean path of precision drums to a warmer meditative lead. on the b-side cadenza native valentino kanzyani plugs 9 minute remix of the titled aloft. quoting a minimal running techno, kanzyani stockpile some much-needed tension while keeping the arrangement uncluttered. his hypnotic groove beneath a blunted and ponderous baseline deliver us a darker, more cosmic vibe.

samuel l. session, a techno producer from sweden who founded the labels sls and cycle and now runs the klap klap imprint. apart from that, he has released on drumcode, soma, music man and kms records. in 2007, samuel l session was featured on kms 091 - kevin saunderson’s release – “history elevate 2” with a remix for “pump the move”. now in 2015, samuel l session presents his second artist release on kms records with “the talkbox ep” the talk box ep kicks of with an “original mix” that is a dark, deep & groovy. detroit inspired techno pumper that features a deep bass line with haunting chords. move on next to the “concrete mix” which provides a bit more airy feel. on the b side the soulful groove b1 “birth of blue” featuring elbee bad providing whispering melodic vocal sprinkled on top an ever moving progression that even includes some great horn stabs. rounding out the ep is the b2 “birth of blue” featuring elbee bad & andreas saag, providing a groovy solo-esc piano, riffing throughout this already groovy number

opening the release is title track trudge , a hypnotic mood-driven composition with an ever-blooming feel throughout its nine-minute duration. traumer employs dusty percussive sounds and a weighty kick drum to create the bumpy groove, while warbling bass licks, menacing synth hooks and processed vocals are layered up to create an intricate progressive feel. following is underlying which takes a different route, this time going into deeper realms with floaty pad lines, jangling rhythms and rumbling sub tones, while classic dub techno stabs are thrown into the mix to create a gritty and understated composition.

lerosa takes his unique approach on house even further. private view is exactly what its title promises: an exclusive visite into a enigmatic and fascinating world of groove and sound. its full of puzzling places and mysterious events. delicate arrangements and artful sound combinations amount to a unique record without turning to caprice or flourish. simplicity that makes sense.

making his rnt debut here is dj vas with a wide-reaching quartet of edit stylings. originally a member of pioneering french-touch group kojak, vas seasoned production approach really shines through on this package, whether in the blistering groove of wizard funk, the classic boogie of the moment, the dub reggae styles of alright, or the smooth-as-silk cream. theres truly a bit of something for every party on this 12inch

vinyl only release! sakadat records return with their third release presenting you two kaitaro minimal deep house tracks with extraordinary groove. dj support: raresh, shlomi aber, oshana, ody, dan noel, ittetsu, faster, vid, dan farserelli, nima gorji, fabio ferro, tulbure, negru, piticu & rhadoo

collaboration project between jauzas the shining & victoria lukas featuring ekman and orgue electronique. lukas, drawing upon personal sensations, melds diary-like lyrics into dreamlike ambiance and textures, beautifully fusing with the infectious electro-pop grooves of jauzas the shining. songs encapsulating lost love and longings for sensation, emotional stimulation and experiencing feelings through those of another are conveyed via vocal pieces, cold sweat and coral eyes. ekman contributes a driving, acidic groove version of cold sweat more apt for the dancefloor, while orgue electronique pushes the electronic pop vibes into house territory. shadows written, recorded and produced by jauzas the shining & victoria lukas for last known trajectory 2014

dj spider & franklin de costa come along with a massive follow-up of their first single on killekill (cat number 016). second bass on the a-side is a bomb of a track with its jazzy beats, otherworldly strings and a bassline straight out of hell. comsume is even more otherworldly with its stumbling, shuffling beat and a spaced-out vocal sample taken from an unnamed sci-fi movies from the 50s. coffee break, the last track of the ep, is a deadlock groove of heavy beats and freaky breaks, that leaves you lost in time and space.

christian viers is fast becoming a prominent name on uk underground house and techno circuits, either as part of lazlo dancehall alongside leon vynehall or his long running a1 bassline project. techno-focused releases on his own label, source unknown captured the attention of the ears behind the newly formed fina white resulting in the bad timing ep, which the label state is a strikingly clear indication of the distinctive direction they plan to take moving forward. title track bad timing is a straight up techno banger whose menacingly melodic low-end tones, relentless thump and rolling toms are the driving force behind its robust and looming groove. without time is a similarly complex percussive cut, but with its jungle inspired arabic horns, trancey synth-lead breakdowns and acid squelches, whilst uk house veteran nail offers a more direct 4/4 take on the track with his typically classy remix.

six months after their last installment, shir khan and exploited drop another hot to trot collection of disco edits. as usual, there is much to excite, beginning with the familiar guitar solos, rhodes keys and dub disco pulse of antilopes *singing ghost* rework. death on the balcony keep up the reverb and delay-laden dub disco theme on *addict for your love*, whose rubbery groove, twinkling pianos and heady vocals have been expertly rearranged to fit house dancefloors. finally, matpat go loop crazy on the thumping disco house cut *only you* which sits somewhere between rahaan and soundstream. excellent stuff all round.

the title track offers up a delicious concoction of rhodes keys and smoky jazz inflections before a brittle synth and snatch of soulful vocal usher in an entrancing chicago groove. utterly moreish, it s a tune to stick on repeat. philpot label founder jackmate s devilishly playful version does exactly what a remix should do: give the original tune s elements a fresh twist while respecting its distinctive spirit. a pounding kick, astonishing in its rippling intensity, underpins off-kilter and pitched-up samples that somehow hold together for an exhilarating ride. -fish paul- marries spacey eno-esque drones to a pounding beat and crackling interference. testament to gaiaschi s years of directing and promoting parties and his dj residencies at milan s dude and tunnel clubs, it s a tune that embodies a fine-tuned understanding of the dancefloor. -the point- rounds things off with bright keys and crisp claps, to build a dreamy, skilfully layered groove.

polluted system is a track suitable for the main room, the energy of the kick and the bass leave no respite from start to finish as a joint of metal percussion and synths fit gradually to fill the sound spectrum of this track. becomes human machine in a few minutes, using acid and industrial sounds, conveys the idea of the change that is happening around us: people are becoming more and more machines, and this is the soundtrack of the mutation. unlocked human, while remaining in acid and mechanical territories, thanks to a groove of more organic toms and hi hat still let the human element glimpse, not yet deleted by the machines, all accompanied by a relentless kick which makes it a perfect tool from the dancefloor . no system, which give the title to the ep, ends this sequence with dreamy and futuristic atmospheres, the ruling part is still a simple but instantly recognizable acid bass, over breakbeat-oriented rhythmics.

repress 2017 ...cool minimal detroit house classix... incl mk & carl craig rmxs

strut return to the archives of seminal chicago house label dance mania in january 2015 for dance mania: ghetto madness. the follow-up to strut’s acclaimed dance mania label retrospective hardcore traxx from early 2014, this new instalment places the spotlight on the raw, stripped back, hyper bpms of ghetto house and the rise of the movements fresh generation of stars during the mid90s including dj deeon, dj funk, jammin gerald and dj milton. the 180 gram double vinyl comes in gatefold sleeve, including cd.

carl craig needs no introduction, he has been at the forefront of the international techno scene for over 20 years and has amassed a truly enviable back catalog of releases utilizing various pseudonyms and collaborating with many different artists during his stellar career. one of the detroit natives most enduring and popular guises has been his paperclip people project which has been active since 1991. country boy goes dub was originally released in 1996 on the seminal paperclip people long-player the secret tapes of dr.eich. its blend of samples, metallic drum machines, 808s, guitar loops and serious dubwise tendencies made it stand out instantly. as with a lot of craigs legendary productions it had that otherworldly swing, an incessant groove and a melding of various styles, sounds and influences informing its spirit.

off the back of the success of audens first hotflush ep, the enigmatic alias returns to scubas label with another hard hitting four-tracker, wall to wall. lock in throws you in headfirst - fast-paced drum loops layered with slices of jarring techno and a driving bassline that would be welcomed on the darkest dancefloors. utopian, initially a more languid cut, juxtaposes an almost cerebral landscape with hard hitting percussion, only allowing the listener a short breather before hurtling back in with perisheds swirling synths and trippy electronic jabs. ending on xirox, auden crafts a slightly more down-tempo cut, boasting a catchy groove that only gets better with each listen. whoever auden may or may not be, one thing is for certain – hes carving his place deep in technos panorama.

the cat is out of the bag as two greg wilson summer festival exclusives are unleashed on the expertly curated and highly collectable a&r edits dj imprint. its label favourite peza who is back at the editing block for this release, reworking walking in rhythm, the 1975 classic from the blackbyrds, into a contemporary dancefloor scorcher. its instant familiarity is swelled by peza s additional drums and percussion - his complementary instrumentation, played live over the original groove, updating this feel-good sensation. pure morning was pezas favourite placebo track and so the required amount of reverence was paid when he sharpened the razor to bring it right up to date for 2014, and provide greg with the opening track of his glastonbury trilogy this year. a full, percussive rework accentuates its anthemic reach and a well measured dose of filters and effects nudge this new arrangement to completion.

for the latest edition of the intriguing dessert islands discs re-edit series, the label has called upon the well-renowned scalpel talents of german-in-amsterdam marcel vogel, aka em vee. the double denim-sporting eccentric drops another gem in the shape of *white heat shake it out (edit)*, a bouncy and seductive disco chop-job that makes great use of the source materials bustling groove and steamy, spoken word vocals. on the flip, lesser-known re-edit heads papi del pancake and claude von reefer take up the challenge. their *gimme what you got* has a little more deep house shuffle, but retains the key instrumentation and feel of a sumptuous disco-soul jam.

with the bizarre feeling ep laying the sound for the subsequent fist year of the label, it is right jamie returns with ep#2 to move things forward with another twisted take on his unique mutoid-protoid-machine-funk-groove. starting with mad obsession you would be forgiven for thinking you ll have bizarre feeling part 2, with warped vocals - taken from late night, half asleep scribbled notes - and space echo haze, but let the percussion work-out trip you up and the stars in and before you know it things start going leftfild and then deeper with the free party sound system bass line shuffl of time nearly time. what he is on (about), no one knows. it is on the flp however that things take a darker turn. beyond the confession booth, down sharp stairs and dripping ceiling to a red light lit room of latter day late night blues.

the occasional (but always excellent) street edits series returns, this time with a trio of high-grade scalpel works from chicago re-edit hero rahaan. as usual, the source material is dusty and obscure, and the reworks revelatory. -city of disco- is in many ways typical of rahaan s work, with carefully cuts and loops being used to create a thumping, house style groove (admittedly one that pays due reverence to the source material). there s more of a celebratory, soulful feel about the impeccable -strung out-, which turns a little-known disco-soul gem into a huggable dancefloor classic. best of all, though, is -brighten you up-, which sits somewhere between later electrofunk and early house, a proto-proto gem, perhaps. either way, it s a killer.

after an a-side debut on m_red ltd’s heady 10’’ series, shadowy outfit overall severity return with their first full outing for key vinyl. much like the slabs of steely sonic wares that have paved the way before it, “knowing the healing” presents three works of on-point dance floor material we’ve come to associate with the underground tastemaker. “explain pain” is the ep’s aggravated opener. a pounding kick and itchy percussion unfurls into a din of claps and noises, spliced with melodious peals and a low-slung sort of groove. “backfiring nerves” is one of those cool peak-time weapons: frantic yet subtle, deeply groovy and plied with much-loved vintage crashes. “parasympathetic” then concludes in the form of a chugging basement bomb awash with bleary acid tones, crystal hats and muted dissonant chimes. all in all, “knowing the healing” marks a powerful entry into the ring from these ones-to-watch newcomers.

kaiser is a bari-based producer and dj. he began his collaboration with etruria beat in 2013 with the track conversation, part of the va named bud sampler (part 1), many times played by richie hawtin. today he presents his first ep for etruria, entitled medusa.the pack consists of two original tracks save the chord, so entitled because of the presence of some overlapping dub-chords which intersect one each other and create a melody on which grows a well balanced groove and medusa taking its name by the ep, is a techno track with an aggressive and imposing rhythm, perfect for the most powerful dancefloors!

op.discs highly acclaimed 2013 double pack from radiq aka yoshihiro hanno receives some heavy reworking from three of his label mates, fumiya tanaka, akiko kiyama and aoki takamasa. fumiya tanakas reinterpretation provides an extensive, deep down edition of vida noir and renders the original beats into a minimal bass behemoth of a track that clocks in at almost ten minutes. akiko kiyama shows her peerless talent in her revision of rondo. the beats and pieces are sticking like glue each other to render exotic and mesmerizing aspect of radiqs original. aoki takamasa shows his further involvement into minimalism on his version of calling, channels a micro-house groove into a multilayered beast.

music that keeps your body busy on the dance floor while it takes your mind to exotic places far away: timboletti creates a tense atmosphere between the stripped-down power of a kickdrum and the intricate network of sounds and melodies. during the titles murrakus and wüstenlauf your inner cinema will show mysterious scenes from an oriental bazaar, at the same time your body will have to deal with a pleasant feeling of restlessness. the frequency spectrum of makrovic is invaded by tripped-out samples, reminiscent of radio transmissions from some odd parallel dimension, resulting in a groove that is deep yet uplifting. barfussbravo sounds just as alien and is just as compelling, as delirious melodies and delay cascades unfold upon tight, driving rhythm sections. mollono.bass delivers a remix that is probably even deeper, a stardust phantasy flying high upon the solid foundation of a standing bass line. in contrast, carlos shifts down a gear and reflects on the multi-dimensional anatomy of barfussbravo during a smooth downbeat version.

introducing collabs ep pt.i, long time project from jam on including 3 collaboration tracks he made with: gabriel tan, ra.pu & nekow and a secret unknow artist. the a1 track « get down » has been remixed by adam touch as a vinyl only bonus.. this ep is all about great vibes and groove.

2015 repress !!! home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released on upfront vinyl-only terms and produced exclusively on analogue equipment.this time franck is giving us 4 tracks that will surely please a bunch of different djs worldwide… rebound is another dubby and crushy experience, using his tempest drum machine and jamming with some external effects, keeping it going on & on, focusing more on an abstract ambient vibe. nebula keep the already marked sound of home invasion.. a mix between deep-afro and very cosmical vibe. deep theory is a classic tribute to the new york sound from the 90’s, it reminds us some of the blackwiz k.o.t work in his abstract approach and simple groove.²balance is definitly the one that has a drive for the dancefloor, hypnotic stabs, rushed drums, this one is a sure shot clubby track.
already supported by brawther, jimpster , dj deep , okain, djulz, pirupa, chateau flight, ame kristian, dj sneak , sebo k, josh wink, ian pooley, ben sims, osunlade, daniel stefanik, sasha, clive henry, hector moralez, raresh, tiefschwarz , louie vega, cesar merveille, shinedoe, damian lazarus, anja schneider, norm talley, francois k, dj t, agoria, fred p, laurent garnier, jennifer cardini.

roots for bloom hits its tenth release and welcomes carlos sanchez & alex kaddour to the label. this ep is made for the floor, its no nonsense, groove based house music at its best. tough basslines drive the a side black freddie s moustache and echoey vocals stab through. on the flip the basslines remain at the forefront of your attention, but this time layered alongside more mysterious synth lines and twisted vocals. with previous releases on the likes of 8bit and poker flat its easy to see why these guys will fit right in at the roots for bloom camp.

second part of the sold out album finding purpose produced by the dublin based artist dave hargadon, also know as the half part of the project slowburn. again house sounds from chicago, detroit and via the hague with strong melodies and heavy drums!

together they stir up a tech-funk track which lets the listeners hang on a crazy weird synth-line for a few minutes until the song erupts in a funky bass-heavy tech groove that takes no prisoners!

for the first heisenberg release we have the various artists compilation of our secret weapons. 4 killer tracks from romanian mastermind little hado, our label-head sasha kaktus, spanish groove-master enzo leep and the collaboration between eder alvarez & gorbani in a fantastic tripply remix by kike mayor & he did. 2 tracks only available on vinyl

ein weiterer fantastischer, retro-futuristischer release von dj yellow & flowers and sea creatures! tuff city kids (phillip lauer & gerd janson) liefern einen glänzenden space-boogie-artigen floorfiller-remix. auf der b-seite hört man erneut einen meister-remix von konstantin sibold, dessen letzter remix von -no one gets left behind- (black label #105) die top 50 most charted tracks 2013 auf resident advisor und platz 1 der groove charts erreichte!

people must jam have an undisputed three for three on the score board, and it comes as no surprise that this serious second innings in the floor jammers va series is heading straight for the outfield too ! it s a truly international affair, as chicago disco don rahaan takes the lead with an irresistible uptempo jazz-funk rewire while uk producer andy ash is next up to the plate, rearranging and amping up a teddy p classic on the b, tokyo s beaten space probe takes on millie jackson s incendiary we got to hit it off (as recently hacked up by tom trago) bsp leaves in the best bits here as the powerhouse groove gets a respectful renovation. finally out in the sticks wrap it all up eighties fashion, as a slamming bassline led drum machine jam powers us to fourth base. strictly limited to 300 copies.

the come up ep is the third release on seth troxler and the martinez brothers hot as hell tuskegee imprint. a showcase four tracker of three burgeoning tuskegee artists with some heavyweight jams perfect for the come up! the a side features londons ibellini on a bumping house-strormer thats right, hooky as hell and twice as funky. next up is martinez brother homeboy jesse calosso with two hot licks of ruff ass tech-n-groove. the a side features serving size a jackin off kilter groove workout for the heads. on the flip and jesse lays down the law with whatever right now, serious business for serious floor. finally new yorks finest filsonik delivers royce five another great underground cut perfect for those darker moments, heads down for a full house! a killer four tracker that is destined to cause dance-floor madness this holiday season!